Eugenia Lim

Leah Jing McIntosh

Eugenia Lim is an Australian artist of Chinese–Singaporean descent who works across video, performance and installation to explore how national identities cut, divide and bond our globalised world. Based on unceded lands in the Kulin Nation, Lim has exhibited, screened or performed at the Tate Modern, LOOP Barcelona, FIVA (Buenos Aires), Recontemporary (Turin), Kassel Dokfest, Museum of Contemporary Art (Syd), ACCA, Melbourne Festival, Next Wave, ACMI, FACT Liverpool and EXiS (Seoul). She has been artist-in-residence with the Experimental Television Centre (NY), Bundanon Trust, 4A Beijing Studio, Gertrude Contemporary, and she co-founded CHANNELS Festival. Lim was the founding editor of Assemble Papers and since 2019, is co-director of APHIDS.

Eugenia Lim is represented by STATION.

Wominjeka (Welcome). We acknowledge the Yaluk-ut Weelam as the traditional custodians of the land on which we meet. Yaluk-ut Weelam means ‘people of the river camp’ and is connected with the coastal land at the head of Port Phillip Bay, extending from the Werribee River to Mordialloc. The Yaluk-ut Weelam are part of the Boon Wurrung, one of the five major language groups of the greater Kulin Nation. We pay our respects to the land, their ancestors and their elders—past, present and to the future.