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Minefields

Minefields

Join us in conversation where we unpack a group of images to expose the covert narratives of colonialism and slow violence embedded in extractivism. Focused on coal mining in Australia, but also looking into instances in the UK, South Africa and the Americas, we cross-examine visual narratives that expand our understanding of coal mining beyond its…

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UNTOLD x Artlink Magazine: Indigenous-Visualising Sovereignty

UNTOLD x Artlink Magazine: Indigenous-Visualising Sovereignty

  After 40+ years in print, Artlink proudly delivers its annual Artlink Indigenous issue, Visualising Sovereignty, edited by Paola Balla and Ali Gumillya Baker. Now in its eleventh year, this platform brings together leading First Nations scholars, artists and curators from across the country who have responded critically and candidly to the political, social and cultural issues of the moment….

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Suspended Activation: Finissage

Suspended Activation: Finissage

“Suspended Activation” is an installation designed by the Stockholm-based architecture office Secretary and fabricated in Melbourne by Ellen Sayers. Part outdoor gym equipment, part children’s play equipment, the structure repurposes the resistance bands used in physiotherapy and fitness training in order to invite its audiences to engage with its malleable surfaces, which deform and stretch…

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Omar Musa: In conversation

Omar Musa: In conversation

Co-hosted by Readings, we are delighted to invite you to hear Omar Musa discuss his work and gift us a performance to take us into the night. Omar Musa, a Malaysian-Australian rapper, poet and author is one of Australia’s most important young voices. In his writing and music he confronts the dark realities of Australian…

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Designing the Nightclub

Designing the Nightclub

A dancethropological exploration of trends. The interwoven relationship between club counter culture and its drip fed influence into the mainstream could be credited as one of the biggest IP robberies of all time. From the moment this undercurrent emerged, it has continued to flow like an undammed, unpaid and uncredited natural resource for those that…

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Designing for ‘average’ is average design

Designing for ‘average’ is average design

Too often, through expediency, ignorance or habit, the design profession shapes environments to suit the needs and experience of an ‘average’ human being. However, designing for ‘average’ results in average design that meets the needs of some, while a diversity of people can be made to feel uncomfortable or unwelcome in a place. To create…

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Good design is excellent for Local Government

Good design is excellent for Local Government

In Victoria, several Local Governments are investing in creating a culture of good design—aiming at better built environment outcomes, and grappling with managing growth well and what is needed to achieve more distinctive places. The OVGA supports Local Government in the development of policies and processes. This includes two guidance documents about good Local Government…

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Dialogues on Venice #3: Venice, City of the Future

Dialogues on Venice #3: Venice, City of the Future

Join us at MPavilion—or tune in online—for the second lecture in this four-part series exploring the past, present and future of Venice. These lectures form part of the Venice Studio Melbourne program—a pop-up architecture studio featuring a suite of short design studios and public programs led by international offices of architecture and urbanism, with 88…

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Dialogues on Venice #4: Venice as a Paradigm—A Genealogy of Mendes da Rocha’s Imagination

Dialogues on Venice #4: Venice as a Paradigm—A Genealogy of Mendes da Rocha’s Imagination

Join us at MPavilion—or tune in online—for the second lecture in this four-part series exploring the past, present and future of Venice. These lectures form part of the Venice Studio Melbourne program—a pop-up architecture studio featuring a suite of short design studios and public programs led by international offices of architecture and urbanism, with 88…

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Wominjeka (Welcome). We acknowledge the Yaluk-ut Weelam as the traditional custodians of the land on which we meet. Yaluk-ut Weelam means ‘people of the river camp’ and is connected with the coastal land at the head of Port Phillip Bay, extending from the Werribee River to Mordialloc. The Yaluk-ut Weelam are part of the Boon Wurrung, one of the five major language groups of the greater Kulin Nation. We pay our respects to the land, their ancestors and their elders—past, present and to the future.